Impressive Dynamic Colors (Superficial/Artificial) vs Washed Out Faded Colors (Originality/Natural)

Started 4 months ago | Discussion thread
rhlpetrus
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Re: Check the history of photography
In reply to blogan, 4 months ago

blogan wrote:

rhlpetrus wrote:

If go back to photography development, you'll see a change from naturality to harsher visions. Cartier-Bresson and Salgado are two good examples, the former used a camera to portray people and situations in a very naturalistic approach. Salgado uses contrast and grain for impact, very successfully.

Edwar Weston and Ansel Adams were almost contemporaneous, but also different: Weston went for a more natualistic vision, AA processed images much more.

I think what matters is final result, don't get stuck to formulas, develop your own vision. Don't fall into the traditionalist/realist trap of saying PP is forbidden, it makes no sense, AA used a lot of processing, only in a wet environment.

--
Renato. http://www.flickr.com/photos/rhlpedrosa/ OnExposure member http://www.onexposure.net/ Good shooting and good luck (after Ed Murrow)

I'm in total agreement with you. And I don't really think anyone here is trying to say one method is better than another.

As far as my personal opinion is concerned, I have stated that "It's not for me" with regard to heavy post processing. And I also have said, that I have images that I tend to take artistic license with and other images that I leave alone. That is completely my choice.

As I have said before, there are some AMAZING images out there. What it took to get them to that point is, "Just not for me." And I am not saying that everything happens in post processing. It has already been stated here that lighting at the time the shot is taken, if it is near perfect, can sometimes make an image so great that one would think there was a lot of PP.

What Ansel Adams did was great. The amount of processing that went into it, and the knowledge of the darkroom that was needed to do what he did is simply, "Not for me." You have photo journalist types and you have artistic types. I fall into the category of the former.

If you use the broader "documentary" photographer concept instead of that of the photojournalist, you will see, like Koudelka or Salgado, that even in film days there was a lot of lab work on those images. Anyway, I think, as you say, that each must find his own voice. I can be quite literal:

Or use some expressionist mood:

Insert caption here. If you do not edit this text it will be automatically removed.

--
Renato. http://www.flickr.com/photos/rhlpedrosa/ OnExposure member http://www.onexposure.net/ Good shooting and good luck (after Ed Murrow)

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