6D + Canon 50/1.8 or D600 + Nikon 50/1.8? Help me decide.

Started 4 months ago | Discussion thread
brightcolours
Senior MemberPosts: 7,258
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Re: Dynamic Range
In reply to Mako2011, 4 months ago

Mako2011 wrote:

Often folks will indicate that we already have more than enough DR capability in our camers or that 14 stops of DR is of little gain vs 12. People often prefer higher contrast in the midtones, so why do many photographers want devices with greater dynamic range? Two things. The first is options. Far more creative options. Having more information in the file to start with simply gives you more creative and interpretive options for the end result. This can be of great benefit to the photographer how likes to explore the extremes and is not content to stay in the middle. If you start with a file that that only hold 12 stops of scene data you are limited in your output vs the file with higher DR. You can try to mitigate the difference, using things like Shadow/Highlight in Photoshop and the Recovery slider in ACR or Lightroom. But, as most of us know all too well, those are of limited value if your SBR has exceeded the DR of your camera; you can't recover information that isn't in the file to begin with.) The second reason is that for those who love photography because of its power to show what the world looks like, adequate DR is a critical tool in the service of realism.

The world really does NOT look like 14 stops DR. Not through our eyes, anyway. Stating that is.. a lot besides the truth. Take a high DR shot against the light at noon in summer. You will have awful light, unattractive scene, subjects in shadow. A high DR scene you should never have taken.

Now flatten the tonal curve as much as you can (turn down the contrast in your RAW converter). You will not be able to get 12 stops of DR into the image that way (at least not with the RAW converters I have used), but more like 10 stops. The image will look more flat than it looked like in real. In real, we do see shadows, in real we do see super bright spots we need sunglasses for to not have our eyes have trouble. In real, our eyes adjust going from the darker parts and going to the bright light, and in real we do notice that very obviously.

It is not true to state that compressing more stops into the low DR of screens and even lower DR of photo prints makes images look more realistic.

One of course can choose to use a bigger range, HDR has its uses. But lifting shadows from the low information density dark side of RAW is not optimal. Then it is smarter to shoot 2 or 3 frames with different exposure times, simply for the better gradations in the former darker parts.

Anyhow, the DR from both cameras is more than adequate. If it was not, on one would ever contemplate taking an ISO 800 or 1600 photo with the D600. And if one truly is a shadow hater, one can still pull the shadows from a 6D several stops (I never get why one would want to do such a thing, though).

I happen to have a camera that DOES lack DR from ISO 400 and up. But that is beside the point(s)..

For these reasons, I hope no manufacture stops striving for more DR capability in their sensor technology. Not everyone is apt to take advantage of it. But some certainly are. Not every one needs high FPS either, doesn't mean having only 5.5 FPS is more than enough

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My opinions are my own and not those of DPR or its administration. They carry no 'special' value (except to me and Lacie of course)

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