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Re: No subject, no story
In reply to S. Miller,
5 months ago
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S. Miller wrote:
Hi Bob,
I'd be happy with all of these, particularly the last three. There's something about number two that I really like - I guess the juxtaposition of the silhouetted tree against the bridge support. You don't normally think of trees when NYC comes to mind, especially the bridges. For the third, I love different views of Grand Central. The typical shot is from the middle of Park at 41st, so I like taking it off-center to the west a bit like you did. Maybe a tighter crop just above the statue on top of the clock?
Yes, I see that now that you mentioned it.
I like the last one as well (composition, shadows, exposure). I don't think I'd crop any tighter because you would lose the tunnel feeling from all of the scaffolding (which I really like). I don't mind the people on the left, though do agree that they are possibly distracting. Maybe next time wait for a similar couple in the middle but no one walking on the left? I know, could be asking for a bit much since you can't control the foot traffic.
Nor my mood of the moment. Sometimes it's a shot on the way to something specific in mind, but as I'm getting older I am slowing down a little, and sometimes am able to wait patiently for something to come together. [g]
I have a couple of questions for you. I'll be in the city tomorrow afternoon and am planning to stick around through early evening (3pm - 8pm) to hit some spots I've been meaning to photograph. I'm debating about what lenses to bring with my EM5.
mZD 9-18 and PL 25/1.4: definitely
mZD 45/1.8 - possible low light short-tele option
Pana 35-100/2.8 - low-ish light tele zoom option
If I leave the 35-100 at home, then in theory, I won't even need a camera bag. However, I just got the 35-100 so I'd love to take it for a spin. Any thoughts between the 45/1.8 and the 35-100? Neither? Also, I have a light tripod and I'm wondering if I should bring it or will it be more trouble than it's worth? I can only assume if I leave it home, I'll DEFINITELY find a shot that needs it.
Any advice you have is appreciated.
Somewhat belated, but an interesting question. With the 9-18 I feel the tripod must also be towed. The 2.8 lenses can be useful in the brighter areas, but a 1.x lens I feel a must for those more dramatic shadowed opportunities.
At this point after carrying so many focal lengths to be ready for anything, I'm going more commando style, using the faster lenses regardless of how appropriate they might be for different opportunities that arise. I'll go through a long period where the lens chosen must conform to the scene, then change tactics and have a particular FOV be the guiding force (train the eye to see in that FOV alone again). Sort of like how zooming with one's feet makes one think harder about how the interest in front of one can be best conveyed with that limitation. Or the difference of the experience when using MF or AF lenses.
Did I answer the question?
--
...Bob, NYC
http://www.bobtullis.com
/"Well, sometimes the magic works. . . Sometimes, it doesn't."/ - Little Big Man
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