No subject, no story

Bob Tullis wrote:

Airless - yes, really. Even with this intention I shoot RAW as well, in case it would be better for a mono conversion, but I also shoot with the mindset that there's a potential for two versions (if not more) of an exposure. Dramatic mono is a passion of sorts, and sometimes color can be a distraction. The mix of the types of street lighting that one encounters today can be confounding at times too. It appears you just don't care for B&W work, or am I wrong? Nothing wrong with that, but tastes will vary for reasons one may or may not be able to define. (I hate carrots, BTW. No offense to those that don't feel the same [g]). For your consideration, one in color is below based on a Portra 800 (?) VSCO film style.