Conceptual Photography II

Challenge #20 in the Great Movements in Photography series. Hosted by Mark Scott Abeln.
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First you decide on a concept or idea for your photograph, then you take a photograph that expresses that concept. The goal of conceptual photography is to make your idea or concept obvious - even though precisely *what* your concept is can be clear or ambiguous. A common conceptual photograph is a wedding ring placed in the middle of an open book, casting a shadow in the shape of a heart that expresses the love that we hope can be found in marriage. A photo of scissors cutting a paper heart in half can express heartbrokenness. But please don't use these ideas, come up with your own. Humor and cleverness in your concept is generally desired. Conceptual photographers include Eugène Atget, Man Ray, Cindy Sherman, Irving Penn, and Andreas Gursky.
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The marks of time @ Arles, France
by Hik
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Reading the marks left by several generations on this facade, we can see life's history of this house : some people built, some destroyed, some were strengthened, each part has suffered changes over time. New windows, mixed with old windows, with different shapes and materials, without any architectural alignment, talk to us about those who have done so, each one seeing through them the light in its own way, with its own personality. Only daylight is equal, the same for all ...
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Submitted: Thursday, 18th October, 2012 23:34 (GMT)
Taken: Saturday, 5th May, 2012
Focal length: 80 mm
Shutter speed: 1/50 sec
Aperture: F2.8
ISO: 800
Notes: Shot on Kodak Portra 800 negative film, scanned with HP Scanjet G4050
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