The New Pictorialism II

Challenge #17 in the Great Movements in Photography series. Hosted by Mark Scott Abeln.
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In the 19th century, photographers struggled to be seen as artists, and not merely technicians. The Pictorialists wanted to make photography an art form, and they went far beyond mere technical capture of a subject. They wanted to make objects of art that were beautiful and expressed personal emotion. To this end, they heavily modified their images. Pictorialist photographers were more interested in art and aesthetics than subject matter. Pictorialists aimed for emotional impact, rich and delicate images, and poetic interpretations. It also took a lot from the styles of painting in its day, particularly Romanticism and Impressionism. Pictorialism often has a spiritual quality, where the photographer listens to the "still, small, voice". Pictorialism faded with the advent of Photographic Modernism, which was inspired by photographic technology itself. In the 21st century, a New Pictorialism, fueled by the power of image editing tools, is becoming increasingly important.
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Faux Van Gogh
Mystic
EyeOfTheBeholder
The Cows
Javier Marin
Be Right Back...
Berlin Festival of Lights
Late night
Berlin Festival of Lights II
_DSC0472
Cries of the Poor
The Pixie And The Pollen Thief
The Pop art attampt
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Sample entries
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Toucques Valley by Robert Demachy, 1906
Calvary Cemetery, in Saint Louis, Missouri, USA - heavily processed weeping angel monument with rose
Howell Island Conservation Area, in Chesterfield, Missouri, USA - night view from causeway to island
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