The D750 is Nikon's latest full-frame DSLR, and sits between the D610 and D810 in the company's FX format lineup. With specifications in common with both cameras, the D750 may be of interest to anyone considering stepping up to full-frame from one of Nikon's APS-C format models. As well as our detailed first impressions review we've prepared a quick 'cheat sheet', telling you everything you need to know about the new camera. Click through to read more.
THE WAIT IS OVERCanon EOS 7D Mark II First Impressions Review1.4KUPSIZINGPanasonic DMC-LX100 First Impressions Review812NX-T GENERATION?Samsung NX1 First Impressions Review440BRING ON THE COMPETITIONCanon PowerShot G7 X First Impressions Review326
If posts to our news articles and forums are any indication, one of the most exciting announcements from Photokina is the Canon G7 X, a genuinely pocketable camera with a large 1”-type sensor. In this video DPReview’s Richard Butler takes us through a preview of the G7 X and gives us an idea of what to expect from it.
Leica has announced a new X-series camera with an F1.7 lens. The Leica X (Typ 113) continues to use a 16MP APS-C sensor and offer a 35mm equivalent lens but now with a considerably faster aperture than the F2.8 of its forebear. The existing X2 model will essentially live on as the Leica X-E. The Typ 113 will cost around $2,295/£1,550.
Leica has announced the D-Lux (Typ 109), a compact camera with a 24-75mm equivalent, F1.7-2.8 zoom and a Four Thirds sensor. If those specifications sound familiar, it's probably because they're shared with the Panasonic LX100. The D-Lux will be available in November. A license for Adobe Photoshop Lightroom is included.
It’s hard to believe, but Leica’s line of M rangefinders, which started with the M3 in 1954, has been around for 60 years. In celebration, Leica has announced the commemorative Leica M Edition 60 and matching Summilux-M 35mm f/1.4 ASPH lens. Unlike other M digital models, the M Edition 60 lacks one significant feature: an LCD screen.
We swung by Nikon's Photokina 2014 stand to see the new D750 in action and investigate what else the company has in store for show attendees. The booth itself is a bit less flashy than some of the competitions, and distinctly lacking in cars and ladies wearing sequins, but that doesn't mean that it doesn't make an impression. Click through to read more.
Zeiss has announced its a Distagon T* 35mm F1.4 ZM lens for Leica M-mount bodies. The company describes the lens as being for professional reportage photography and points out that the wide maximum aperture 'ensures the photographer is independent from the ISO limitations of his camera.' The 35mm F1.4 ZM will be available in black or silver for a recommended price of €1679.84 or $2290 exc taxes.
Olympus is using Photokina to show a prototype 'Open Platform' camera module. Developed with the MIT Media Lab, the module is a Micro Four Thirds compatible unit that can be controlled from a smart device. Like Sony's QX series, the Olympus has its own shutter button but it also offers a hotshoe an is built around a more open software platform to allow developers to create apps to control it.
Canon's Photokina stand is popular as always. The company is eager to show off its EOS 7D Mark II to Photokina attendees, and the public in turn turned out to give the camera a try judging by the crowds at the booth. We took our turn handling the 7D II and checked out the booth. Click through to see more.
Fujifilm's giant green stand in Hall 4 at Koelnmesse is a place to get your hands on cameras, look at printer and film output and, of course, take pictures of models standing in front of expensive cars. Our stand report has a look at what's new with Fujifilm and has some fun photos, as well. Click through to read more.
We're here at Photokina in Germany, and one camera many people were eager to get their hands on was the the new Fujifilm X100T. As part of our tour of the company's stand (more like a ballroom), we got our mitts on Fujifilm's latest ultra-premium compact. Click through to see more.
Phase One has announced the release of Capture One Pro 8, the latest version of its Raw conversion and photo editing software. Capture One Pro 8 highlights include new adjustment tools such as local white balance, clone and heal repair layers to remove unwanted objects, and a film grain tool to mimic film stocks and add realistic grain to images.
The DPReview team (well, some of it) is in Cologne Germany for this year's Photokina trade show. Photokina is the biggest show in our industry, and happens every two years. This year we've seen a number of major products released from all of the biggest names including Canon, Nikon and Sony. The show opens in a few minutes, and we'll be here, reporting from the show floor and getting our hands on the new gear. Click through for a link to our full show coverage.
Panasonic has announced a smartphone with a 1 inch sensor. The Lumix DMC-CM1 comes with the largest imaging sensor we have seen on a smartphone - its 1-inch 20MP chip matching the sensors in premium compact cameras such as Sony's RX100 and Nikon's 1 series, being multiple times larger than the 1/3-inch sensors that are common on more conventional smartphones. The large sensor is coupled with an F2.8 Leica lens that offers an equivalent focal length of 28mm. Click through for more details.
Sony has announced the Vario-Tessar T* FE 16-35mm F4 ZA OSS for its E-mount interchangeable lens cameras, as well as the HVL-F32M flash and XLR-K2M XLR audio adaptor kit. The 16-35mm is the fifth full-frame zoom for Sony's Alpha 7 series. Read more
Enthusiast photographers have been waiting in agony for a replacement to the Canon EOS 7D for five years. Their wishes have finally been granted - and in a big way - with the arrival of the EOS 7D Mark II. With a new sensor, improved AF system, faster image processor, and Full HD video, we think that it was worth the wait. For a lot more on the 7D II, read our detailed First Impressions Review.
Panasonic's LX-series of compact cameras have been favorites of both customers and reviewers alike for many years. Photographers who have been waiting for a more enthusiast-slanted LX can finally get out their wallets, because the Lumix DMC-LX100 is here. Find out what we thought about what sounds like the ultimate enthusiast compact camera in our First Impressions Review. Read on.
For the last two years, the only enthusiast compact with a large sensor you could buy says 'Sony' on the front. Finally, at Photokina 2014, we get some competition from Canon. The PowerShot G7 X uses what is likely the same 20MP sensor as the Sony RX100 III but offers a longer lens, flip-up touchscreen LCD, and arguably better controls. For all the details on this exciting new camera, head on over to our First Impressions Review.
The Panasonic Lumix DMC-GM5 borrows the styling of the fashion conscious GM1, but adds enough additional control to give it broader appeal. So while it's still a smart, diminutive thing, Panasonic has found room for a viewfinder, control dial and hotshoe. We look at the two cameras side by side and examine the changes that've been made at the petite end of the Micro Four Thirds range.
Canon has made the EOS 7D Mark II official, headlining its Photokina announcements. The 7D II features a 20.2MP APS-C sensor, increased from the 7D's 18MP. It also presents an upgrade over its predecessor in autofocus specification with next-generation Dual Pixel AF, 65 all cross-type points, as well as a faster 10 fps burst shooting rate. Read more
Canon has announced the PowerShot G7 X, the company's first compact to feature a 1"-type sensor. It boasts a seemingly familiar 20.2MP BSI CMOS chip, coupled with a DIGIC 6 processor and a 24-100mm equivalent F1.8-2.8 lens. The G7 X is also equipped with a touchscreen, a 31-point AF system, 6.5 fps continuous shooting, and built-in Wi-Fi with NFC. Read more
Panasonic has announced the latest member of its enthusiast compact LX-series, the Lumix DMC-LX100. Where its LX7 predecessor used a 1/1.7" sensor, the LX100 leapfrogs into the Four Thirds sensor class, with 16MP chip and a 24-75mm equiv. F1.7-2.8 lens. It supports 4K video recording at 30p, and also provides Wi-Fi with NFC for faster pairing with a mobile device. Read more
Panasonic introduces the second member of its diminutive GM-series: the Lumix DMC-GM5. The GM5 offers a 16MP Four Thirds sensor in a point-and-shoot sized camera body equipped with a Micro Four Thirds lens mount. Following on the consumer-focused Panasonic Lumix DMC-GM1, the GM5 provides some enthusiast touches like a built-in 1.2m dot equivalent EVF and hot shoe. Read more
In addition to its compact camera and EOS 7D Mark II launch at Photokina, Canon unveils three new lenses. The EF 400mm f/4 DO IS II USM, EF 24-105mm f/3.5-5.6 IS STM and EF-S 24mm f/2.8 STM announced today target different types of photographers.
Topping off its Photokina 2014 announcements, Panasonic announces two lenses designed to fit the dimensions and style of its GM-series cameras. The Lumix G Vario 35-100mm F4.0-5.6 ASPH Mega O.I.S. is a truly compact telephoto zoom covering a range equivalent to 70-200mm. Also announced is the 14mm F2.5 II ASPH, a version of an existing lens but with revised graphics (equivalent to 28mm). Read more
Panasonic has announced a firmware update for the Lumix DMC-GH4, adding tethered shooting and modes to make it easier to take still images from 4K video. The update introduces 4K Photo Mode, which automatically sets shooting parameters optimized for stills. Read more
Canon has introduced the latest in its uniquely-shaped series of socially inclined PowerShots. The square-shaped PowerShot N2 is equipped with a 16.1MP CMOS sensor, 28-224mm equiv lens, and Wi-Fi with NFC, and wireless sharing is facilitated by Mobile Device Connect button. Read more
Panasonic has announced a firmware update for the Lumix DMC-FZ1000. Like its big sibling the Lumix GH4, the FZ1000 will gain a 4K Photo Mode, which automatically sets shooting parameters optimized for stills and allows 4K capture in a variety of aspect ratios. Read more
Panasonic has announced it is developing a 30mm f/2.8 Macro lens for the Micro Four Thirds system. The lens will be compatible with the latest generation 240 frame-per-second autofocus and will include image stabilization. No further details of specification, price or time-scale have yet been provided.
Samsung is no stranger to trying something new, and it's really swung for the fences with the NX1 enthusiast mirrorless camera. With a DSLR-style body, a revolutionary sensor, exciting AF system, and more bells and whistles than one could ever need, the NX1 looks like a serious contender. We spent some time with the NX1 and have some first impressions to share. Read'em.
Samsung has introduced the pro-oriented NX1 mirrorless camera for Photokina 2014, boasting the first-ever APS-C sized BSI-CMOS sensor. The weather-sealed 28.2MP NX1 also offers a sophisticated hybrid autofocus system with 205 phase-detect points covering 90% of the frame. Other high-end features include 15 fps burst shooting, built-in Wi-Fi, and a 2.36M dot OLED EVF. Read more
Samsung adds another 'S' series lens to its premium lineup, the NX 50-150mm F2.8 OIS. It's weather-sealed to resist dust and splashes, and covers a range equivalent to 77-231mm on Samsung's APS-C NX cameras. With 20 elements in 13 groups, it offers built-in stabilization and an i-Function button as part of Samsung's user interface. Read more
Olympus has announced the M.Zuiko ED 40-150mm F2.8 Pro lens. Built to withstand the elements, this dust, splash and freezeproof telephoto zoom covers a range equivalent to 80-300mm. Also announced is a 1.4x teleconverter, which when used with the 40-150mm boosts the equivalent telephoto reach to 420mm. Read more
Olympus celebrates the start of Photokina with the announcement of a major firmware update for the OM-D E-M1 that enables tethered shooting, in-camera 'digital shift' keystone composition, and the E-M10's Live Composite mode. Also announced is the availability of a silver version of the previously only-available-in-black E-M1. Read more
Optical manufacturer Sigma has expanded its portfolio of lens filters with the introduction of four new models, three of which feature water and oil repellent coatings. The new coatings have been applied to the company's ultra violet and circular polariser filters, as well as a new clear-glass protector. Read more
Blackmagic Design has announced the addition of two new PL mount options to its line of professional motion picture cameras. The Production Camera 4K and Cinema Camera are now available with a PL mount, complementing existing EF and passive Micro Four Thirds models. Read more
Sigma has announced that the dp1 Quattro, a large-sensor compact that will be available from mid-October. The dp1 Quattro marries a 28mm equivalent F2.8 lens to the latest generation of Sigma's Foveon technology. The dp1 Quattro joins the 40mm equivalent dp2 Quattro in the company's lineup, with the promise of a 75mm equivalent dp3 Quattro to follow. Read more
Sony has unveiled another full-frame compatible lens for its E-mount, the FE PZ 28-135mm F4 G OSS. With an emphasis on its capabilities in video production, it offers three separate control rings for zoom, focus and aperture. The lens is dust and moisture-resistant and uses a Super Sonic Wave Motor for fast and quiet autofocus and iris control. Read more
Tamron has announced the development of its new SP 15-30mm f/2.8 DI VC USD ultra-wide zoom lens. This full-frame lens is the first in its class to offer image stabilization according to Tamron. The lens has an ultrasonic focusing motor, 'eBAND' and fluorine coatings, and a 9-blade diaphragm. The lens will be available for Canon, Nikon, and Sony mounts and will be displayed at Photokina next week.
Sigma has announced a new superzoom lens for APS-C format DSLRs. The 18-300mm F/3.5-6.3 DC Macro OS HSM takes its place in the company's 'Contemporary' linep, offering a focal range equivalent to 27-450mm. The new lens will be available next month for $579 in Sigma, Nikon, Canon Pentax and Sony mounts - the latter two will not feature OS optical image stabilization. Read more
Sigma has announced a pair of new telezoom lenses. Both described as the '150-600mm F/5-6.3 DG OS HSM' one carries Sigma's 'Contemporary' branding and one is positioned in its 'Sport' lineup. The sports version is dust and splash-proof, while both lenses boast new versions of Sigma's optical image stabilization system. Under the hood though, their construction is significantly different. Read more
The D750 is Nikon's latest FX format camera, which borrows features from the D810 and marries them with a 24MP sensor, offering a faster frame-rate than any non-professional full-frame Nikon DSLR. Aimed squarely at enthusiasts and full-frame upgraders the D750 boasts a comprehensive video and still photography specification which includes a tilting rear LCD screen and (on paper) an improved version of the 51-point AF system found in the D810. We've been using a pre-production camera for a few days - click through for our first impressions.
Nikon has released the enthusiast-focused D750, a 24MP full-frame DSLR which sits between the D610 and D810 in the company's lineup. The D750 offers an improved version of the 51-point AF system from the D810, a 6.5fps maximum frame-rate, plus built-in Wi-Fi and a vari-angle LCD. Video features are lifted directly from the D810 and include 1080/60p recording and full manual exposure control. Read more
Nikon has launched the AF-S Nikkor 20mm f/1.8G ED for FX and DX format Nikon cameras. It updates the existing AF Nikkor 20mm f/2.8, which lacked an internal focus motor for use with entry-level Nikon DSLRs. Using 13 elements in 11 groups, it features a Nano Crystal Coat and offers a minimum focus distance of 0.2m. The AF-S Nikkor 20mm f/1.8G ED will be available in September for $799.95. Read more
Nikon rounds out its Photokina announcements with the SB-500 Speedlight, a compact flash with a built-in LED for use while recording video. With coverage for a 24mm lens on an FX camera or a 16mm lens on DX, the SB-500 has a guide number of 24m at ISO 100. Read more
SanDisk has announced the latest addition to its Extreme Pro class of memory cards. The 512GB Extreme Pro SDXC UHS-I is introduced as the world's highest capacity SD card, supporting 4K video with write speeds up to 90 MB/s and UHS Speed Class 3 recording. Read more
Ricoh is entering the choppy waters of the action camera market, which is currently dominated by GoPro. The company isn't truly a newcomer into the rugged market, as it has been making rugged cameras for many years. The WG-M1 is a 14MP camera that can dive up to 10m underwater, be dropped from 2m, and function at temperatures as low as -10C - all without a housing. The WG-M1 sports a 14MP CMOS sensor, super-wide lens with a 160° field-of-view, 1.5" LCD, 1080/30p video, and Wi-Fi. Naturally, mounts for nearly every purpose will be available.
If there's one thing you can say about Fujifilm, it's that the company has shown a desire to continuously improve its cameras. In the case of the X100T, Fujifilm has taken the already refined X100S and redesigned the viewfinder, added more exposure controls, and included an electronic shutter. We've spent some time with an early production X100T and have put together an overview that covers the key points. Have a read